john berger : http://www.publicbooks.org/rembrandt/
john berger : 期畫作畫人時肢體和空間比例有些微不協調, 但同期素描中又顯示他不是沒能力畫得精準, 於是他就提出一個新的概念去解讀. 說林布蘭在這些畫中關注的不是物理空間，是「軀體空間」corporeal space
"Leave the museum. Go to the emergency department of a hospital. Probably in a basement because the X-ray units are best placed underground. There are the wounded and the sick being wheeled forward, or waiting for hours, side by side, on their trolleys, until the next expert can give them attention.
...
Each one is living in her or his own corporeal space, in which the landmarks are a pain or a disability, an unfamiliar sensation or a numbness. The surgeons when operating cannot obey the laws of this space—it is not something learned in Dr. Tulip’s Anatomy Lesson. Every good nurse, however, becomes familiar by touch with it—and on each mattress, with each patient, it takes a different form.
It is the space of each sentient body’s awareness of itself.
.... Pain sharpens our awareness of such space. It is the space of our first vulnerability and
john berger : 期畫作畫人時肢體和空間比例有些微不協調, 但同期素描中又顯示他不是沒能力畫得精準, 於是他就提出一個新的概念去解讀. 說林布蘭在這些畫中關注的不是物理空間，是「軀體空間」corporeal space
"Leave the museum. Go to the emergency department of a hospital. Probably in a basement because the X-ray units are best placed underground. There are the wounded and the sick being wheeled forward, or waiting for hours, side by side, on their trolleys, until the next expert can give them attention.
...
Each one is living in her or his own corporeal space, in which the landmarks are a pain or a disability, an unfamiliar sensation or a numbness. The surgeons when operating cannot obey the laws of this space—it is not something learned in Dr. Tulip’s Anatomy Lesson. Every good nurse, however, becomes familiar by touch with it—and on each mattress, with each patient, it takes a different form.
It is the space of each sentient body’s awareness of itself.
.... Pain sharpens our awareness of such space. It is the space of our first vulnerability and